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From Fairy Tale to Film Screenplay: Working with Plot Genotypes / Terence Patrick Murphy
Titre : From Fairy Tale to Film Screenplay: Working with Plot Genotypes Type de document : texte imprimé Auteurs : Terence Patrick Murphy, Auteur Editeur : UK : Macmillan Année de publication : 2015 Importance : 197 P Format : 8.5 x 5.5 x 0.45 inches ISBN/ISSN/EAN : 978-1-349-56129-2 Langues : Anglais (eng) Langues originales : Anglais (eng) Index. décimale : 809 Histoire, analyse, critique littéraires générales (et portant sur plus d'une littérature nationale) Résumé : In Screenplay: The Foundations of Screenwriting (1979), Syd Field first popularized the Three-Act Paradigm of Setup, Confrontation and Resolution for conceptualizing and creating the Hollywood screenplay. For Field, the budding screenwriter needs a clear screenplay structure, one which includes two well-crafted plot points, the first at the end of Act I, the second at the end of Act II. By focusing on the importance of the four essentials of beginning and end, and the two pivotal plot points, Field did the Hollywood film industry an enormous service. Nonetheless, although he handles the issue of overall structure expertly, Field falls down when offering the screenwriter advice on how to successfully build each of the three individual Acts. This is because Field did not recognize the importance of another layer of analysis that underpins the existence of plot points. This is the level of the plot genotype.This book will offer you a richer theory of plot structure than the one Field outlines. It will do this not by contradicting anything Field has to say about the Hollywood paradigm, but by complementing it with a deeper level of analysis. Plot genotypes are the compositional schemas of particular stories. They are sets of instructions, written in the language of the plot function, for executing particular plots. This book outlines the plot genotypes for The Frog Prince, The Robber Bridegroom, Puss-in-Boots, and Little Red Riding Hood and then shows how these genotypes provide the underpinnings for the film screenplays of Pretty Woman, Wrong Turn, The Mask, and Psycho. By means of a detailed study of these four Hollywood screenplays, you will be able to offer a much richer description of what is going on at any particular point in a screenplay. In this way, you will become much sharper at understanding how screenplays work. And you will become much better at learning how to write coherent screenplays yourself. From Fairy Tale to Film Screenplay: Working with Plot Genotypes [texte imprimé] / Terence Patrick Murphy, Auteur . - UK : Macmillan, 2015 . - 197 P ; 8.5 x 5.5 x 0.45 inches.
ISBN : 978-1-349-56129-2
Langues : Anglais (eng) Langues originales : Anglais (eng)
Index. décimale : 809 Histoire, analyse, critique littéraires générales (et portant sur plus d'une littérature nationale) Résumé : In Screenplay: The Foundations of Screenwriting (1979), Syd Field first popularized the Three-Act Paradigm of Setup, Confrontation and Resolution for conceptualizing and creating the Hollywood screenplay. For Field, the budding screenwriter needs a clear screenplay structure, one which includes two well-crafted plot points, the first at the end of Act I, the second at the end of Act II. By focusing on the importance of the four essentials of beginning and end, and the two pivotal plot points, Field did the Hollywood film industry an enormous service. Nonetheless, although he handles the issue of overall structure expertly, Field falls down when offering the screenwriter advice on how to successfully build each of the three individual Acts. This is because Field did not recognize the importance of another layer of analysis that underpins the existence of plot points. This is the level of the plot genotype.This book will offer you a richer theory of plot structure than the one Field outlines. It will do this not by contradicting anything Field has to say about the Hollywood paradigm, but by complementing it with a deeper level of analysis. Plot genotypes are the compositional schemas of particular stories. They are sets of instructions, written in the language of the plot function, for executing particular plots. This book outlines the plot genotypes for The Frog Prince, The Robber Bridegroom, Puss-in-Boots, and Little Red Riding Hood and then shows how these genotypes provide the underpinnings for the film screenplays of Pretty Woman, Wrong Turn, The Mask, and Psycho. By means of a detailed study of these four Hollywood screenplays, you will be able to offer a much richer description of what is going on at any particular point in a screenplay. In this way, you will become much sharper at understanding how screenplays work. And you will become much better at learning how to write coherent screenplays yourself. Réservation
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Code-barres Cote Support Localisation Section Disponibilité 19/309475 L/809.078 Livre Bibliothèque Lettres et langues indéterminé Disponible 19/309476 L/809.078 Livre Bibliothèque Lettres et langues indéterminé Disponible 19/309477 L/809.078 Livre Bibliothèque Lettres et langues indéterminé Disponible 19/309474 L/809.078 Livre Bibliothèque Lettres et langues indéterminé Disponible The Ulysses Delusion: Rethinking Standards of Literary Merit / Cecilia Konchar Farr
Titre : The Ulysses Delusion: Rethinking Standards of Literary Merit Type de document : texte imprimé Auteurs : Cecilia Konchar Farr, Auteur Editeur : UK : Macmillan Année de publication : 2016 Importance : 199 p Format : 148 x 210 x 11.68mm | 2.824g ISBN/ISSN/EAN : 978-1-349-71647-0 Langues : Anglais (eng) Langues originales : Anglais (eng) Index. décimale : 813 Fiction Résumé : Popular fiction follows literature professors wherever they go. At coffee shops or out for drinks, after faculty meetings or classes, even at family reunions - they are persistently pressed to talk about bestselling novels. Questions immediately follow: What do I mean when I say a book is good? Why do contemporary novels like these, conversations like these, matter to professors of literature? Shouldn't they be spending their time re-reading The Great Gatsby? The Ulysses Delusion confronts these questions and answers their call for more engaged conversations about books. Through topics like the Oprah's Book Club, Harry Potter, and Chick Lit, Cecilia Konchar Farr explores the lively, democratic, and gendered history of novels in the US as a context for understanding how avid readers and literary professionals have come to assess them so differently. The Ulysses Delusion: Rethinking Standards of Literary Merit [texte imprimé] / Cecilia Konchar Farr, Auteur . - UK : Macmillan, 2016 . - 199 p ; 148 x 210 x 11.68mm | 2.824g.
ISBN : 978-1-349-71647-0
Langues : Anglais (eng) Langues originales : Anglais (eng)
Index. décimale : 813 Fiction Résumé : Popular fiction follows literature professors wherever they go. At coffee shops or out for drinks, after faculty meetings or classes, even at family reunions - they are persistently pressed to talk about bestselling novels. Questions immediately follow: What do I mean when I say a book is good? Why do contemporary novels like these, conversations like these, matter to professors of literature? Shouldn't they be spending their time re-reading The Great Gatsby? The Ulysses Delusion confronts these questions and answers their call for more engaged conversations about books. Through topics like the Oprah's Book Club, Harry Potter, and Chick Lit, Cecilia Konchar Farr explores the lively, democratic, and gendered history of novels in the US as a context for understanding how avid readers and literary professionals have come to assess them so differently. Réservation
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Exemplaires (4)
Code-barres Cote Support Localisation Section Disponibilité 19/309785 L/813.009 Livre Bibliothèque Lettres et langues indéterminé Disponible 19/309786 L/813.009 Livre Bibliothèque Lettres et langues indéterminé Disponible 19/309787 L/813.009 Livre Bibliothèque Lettres et langues indéterminé Disponible 19/309784 L/813.009 Livre Bibliothèque Lettres et langues indéterminé Disponible