Titre :	Romantic Tragedies : the dark employments of wordsworth coleridge and shelley
Type de document :	texte imprimé
Auteurs :	Reeve Parker, Auteur
Editeur :	USA : Archives Contemporaines
Année de publication :	2014
Importance :	318 p.
Format :	22.9 x 15.2 x 17 cm
ISBN/ISSN/EAN :	978-1-107-64407-6
Langues :	Anglais (eng) Langues originales : Anglais (eng)
Index. décimale :	822 Littérature dramatique anglaise
Résumé :	Troubled politically and personally, Wordsworth and Coleridge turned in 1797 to the London stage. Their tragedies, The Borderers and Osorio, were set in medieval Britain and early modern Spain to avoid the Lord Chamberlain's censorship. Drury Lane rejected both, but fifteen years later, Coleridge's revision, Remorse, had spectacular success there, inspiring Shelley's 1819 Roman tragedy, The Cenci, aimed for Covent Garden. Reeve Parker makes a striking case for the power of these intertwined works, written against British hostility to French republican liberties and Regency repression of home-grown agitation. Covertly, Remorse and The Cenci also turn against Wordsworth. Stressing the significance of subtly repeated imagery and resonances with Virgil, Shakespeare, Racine, Jean-François Ducis and Schiller, Parker's close readings, which are boldly imaginative and decidedly untoward, argue that at the heart of these tragedies lie powerful dramatic uncertainties driven by unstable passions – what he calls, adapting Coleridge's phrase for sorcery, 'dark employments'.

Romantic Tragedies : the dark employments of wordsworth coleridge and shelley [texte imprimé] / Reeve Parker, Auteur . - USA : Archives Contemporaines, 2014 . - 318 p. ; 22.9 x 15.2 x 17 cm.
ISBN : 978-1-107-64407-6
Langues : Anglais (eng) Langues originales : Anglais (eng)

Index. décimale :

822 Littérature dramatique anglaise

Résumé :

Troubled politically and personally, Wordsworth and Coleridge turned in 1797 to the London stage. Their tragedies, The Borderers and Osorio, were set in medieval Britain and early modern Spain to avoid the Lord Chamberlain's censorship. Drury Lane rejected both, but fifteen years later, Coleridge's revision, Remorse, had spectacular success there, inspiring Shelley's 1819 Roman tragedy, The Cenci, aimed for Covent Garden. Reeve Parker makes a striking case for the power of these intertwined works, written against British hostility to French republican liberties and Regency repression of home-grown agitation. Covertly, Remorse and The Cenci also turn against Wordsworth. Stressing the significance of subtly repeated imagery and resonances with Virgil, Shakespeare, Racine, Jean-François Ducis and Schiller, Parker's close readings, which are boldly imaginative and decidedly untoward, argue that at the heart of these tragedies lie powerful dramatic uncertainties driven by unstable passions – what he calls, adapting Coleridge's phrase for sorcery, 'dark employments'.