Titre : |
Much Ado about Nothing (The New Cambridge Shakespeare) |
Type de document : |
texte imprimé |
Auteurs : |
William Shakespeare, Auteur |
Editeur : |
united kingdom : Cambridge University Press |
Année de publication : |
2018 |
Importance : |
181p |
Format : |
188 x 228 x 12mm | 340g |
ISBN/ISSN/EAN : |
978-1-316-62673-3 |
Langues : |
Anglais (eng) Langues originales : Anglais (eng) |
Index. décimale : |
820 Littérature de langue anglaise |
Résumé : |
Much Ado about Nothing has always been popular on the stage. This edition pays especial attention to the history and range of theatrical interpretation, in which famous actors, from the time of Garrick to the present, have appeared as the sparring lovers Benedick and Beatrice. A full commentary includes annotation of the many sexual jokes in the play that have been obscured by the complexity of Elizabethan language. In this new edition, Travis D. Williams reviews recent stage, television, film and critical interpretations of the play, considering treatment of the play's special interest in language, bodies and gender. |
Much Ado about Nothing (The New Cambridge Shakespeare) [texte imprimé] / William Shakespeare, Auteur . - united kingdom : Cambridge University Press, 2018 . - 181p ; 188 x 228 x 12mm | 340g. ISBN : 978-1-316-62673-3 Langues : Anglais ( eng) Langues originales : Anglais ( eng)
Index. décimale : |
820 Littérature de langue anglaise |
Résumé : |
Much Ado about Nothing has always been popular on the stage. This edition pays especial attention to the history and range of theatrical interpretation, in which famous actors, from the time of Garrick to the present, have appeared as the sparring lovers Benedick and Beatrice. A full commentary includes annotation of the many sexual jokes in the play that have been obscured by the complexity of Elizabethan language. In this new edition, Travis D. Williams reviews recent stage, television, film and critical interpretations of the play, considering treatment of the play's special interest in language, bodies and gender. |
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