Titre : |
Satirizing Modernism: Aesthetic Autonomy, Romanticism, and the Avant-Garde |
Type de document : |
texte imprimé |
Auteurs : |
Emmett Stinson, Auteur |
Editeur : |
U.S.A : Bloomsbury Publishing Plc |
Année de publication : |
2018 |
Importance : |
217 P |
Format : |
6 x 0.5 x 9 inches |
ISBN/ISSN/EAN : |
978-1-5013-4808-2 |
Langues : |
Anglais (eng) Langues originales : Anglais (eng) |
Index. décimale : |
809 Histoire, analyse, critique littéraires générales (et portant sur plus d'une littérature nationale) |
Résumé : |
hat happened to satire after its golden age in the eighteenth century? Many critics seem to assume that satire mostly faded away, as romantics turned their attention from political and social folly to poetic genius and natural beauty. ... Emmett Stinson convincingly proposes an alternative narrative in Satirizing Modernism. He argues that a new, self-reflexive kind of satire?dedicated less to social commentary and more to probing the limits of artistic innovation?emerged during romanticism and came to fruition during modernism. … Stinson has successfully pulled on a string that could continue to be untangled for a long time, not only within modernist studies but also within humor studies, American studies, and other fields.” - Studies in American Humor |
Satirizing Modernism: Aesthetic Autonomy, Romanticism, and the Avant-Garde [texte imprimé] / Emmett Stinson, Auteur . - U.S.A : Bloomsbury Publishing Plc, 2018 . - 217 P ; 6 x 0.5 x 9 inches. ISBN : 978-1-5013-4808-2 Langues : Anglais ( eng) Langues originales : Anglais ( eng)
Index. décimale : |
809 Histoire, analyse, critique littéraires générales (et portant sur plus d'une littérature nationale) |
Résumé : |
hat happened to satire after its golden age in the eighteenth century? Many critics seem to assume that satire mostly faded away, as romantics turned their attention from political and social folly to poetic genius and natural beauty. ... Emmett Stinson convincingly proposes an alternative narrative in Satirizing Modernism. He argues that a new, self-reflexive kind of satire?dedicated less to social commentary and more to probing the limits of artistic innovation?emerged during romanticism and came to fruition during modernism. … Stinson has successfully pulled on a string that could continue to be untangled for a long time, not only within modernist studies but also within humor studies, American studies, and other fields.” - Studies in American Humor |
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